Sex and Fury

I watched a movie and it was called Sex and Fury, translated Story of Delinquent Female Boss: o-Chō Inoshika (不良姐御伝 猪の鹿お蝶 Furyō anego den: Inoshika o-Chō?), directed by Norifumi Suzuki , released 1973.  It stars Reiko Ike and an American Christina Lindberg.  The story is that a little girl’s father is murdered by two thugs and one of them drops these little cards with characters on them as they struggle to get a briefcase from the dying man. The girl grows up and becomes a thief, in an effort to find the men who killed her father. Will she find those men? This is an action-thriller but it is also a Japanese sexploitation film. There are many elements that Tarantino likely lifted to put into Kill Bill movies, woman out for revenge, swordfight in the snow, gushing blood, though to be fair that is a Japanese movie convention so he didn’t lift that entirely. The music is well done, very 1970’s, much like you might expect from this ear of Japanese movies. Reiko Ike is very attractive and certainly not shy when it comes to the nude scenes that she does. I admit however, she isnt doing anything particularly sexy, she is either killing people and getting sprayed with cheap red blood or well, pretty much that is the only time she is naked in this movie. Christina Lindberg plays a role in this too as a gambler and surprisingly, she speaks English. It is kind of comical because the Japanese subtitles take up the lower half of the screen but later on she speaks Japanese. Kind of weird but not too uncommon I suppose. All her parts are quite sensual though in context of the scenes, it can be off putting. 

The movie itself is pretty good, basic plot but has a few twists and turns to it because it gets deeper than just a simple murder. This is the first Japanese sexploitation movie I have seen and I only looked for it because I saw a gif that looked pretty intense. It can get a bit boring in some parts but that might’ve been just me. The shots were all well done, very nice close ups of eyes and lots of interesting set ups to for the fight scenes. Some of them were a bit too close quarters for me though that might be the intention of the filmmaker to show how claustrophobic sword fighting a large group of men can be.
I would recommend this though be aware that is full of sex and fury, it isnt just a clever translation.

Lethal Weapon

I watched a movie called Lethal Weapon, directed by Richard Donner, released in 1987. It stars Mel Gibson, Danny Glover, Gary Busey, Mitchell Ryan and Darlene Love. The story is about two mismatched cops, one with a death wish after his wife gets killed (off-screen) and the other about to retire, who get caught up in an intricate drug ring linked from one of their friend’s daughter. This movie is both complicated and simple in story and execution. It has a lot of complex relationship issues as Riggs, played by Mel Gibson, fluxuates between causal to manic and Murtaugh, played by Danny Glover, is on edge and trying to keep up through the entire movie. It is a different kind of cop movie and really revived the genre to take it seriously again as an action set piece, where before it was becoming comical and out of date with Dragnet being somewhat out of date and some of the detective/police shows before it. Though there is a hint of comedy in Gibson and Glover’s performance. You get the sense of comradery between these two men, especially as things get deeper and deeper into the plot. It is a great mix of comedy, drama and action. In the director’s cut on DVD there is a cut scene where there is a sniper in a school and Riggs goes in to check it out. In this sequence you really see how down and out Riggs has become since his wife was killed, which is what makes him act out like he does. It is an intense scene and though I think they should’ve kept it in the movie, the conversation between Riggs and Murtaugh after the roof jumper scene makes it more poignant and much more intense for both characters. The music by Michael Kamen, David Sanborn and Eric Clapton is perfect for this kind of film, filling it with musical stings and tension hooks and action pieces that add to whatever is happening on screen. The use of Jingle Bell Rock by Buddy Helms is an interesting choice as well, though being that it takes place during Christmas, it is perfect to set the tone. Gary Busey is actually very toned down in this movie as Mr. Joshua, the mercenary that works for General (RET.) Peter McAllister, played by Mitchell Ryan. Both of their performances are top notch and add such a cool criminal element to the movie, not overdone or overacted like in some movies They chew scenery but in little bites not to where it becomes hammy. Darlene Love plays Murtaugh’s wife, Trish and they have a family which is showcased from the beginning, showing the vast difference in both the men. By adding this element into the plot, it isnt heavy handed or shoehorned at all, which is done very well. Christmas does play a part in the plot as well though it comes in here and there and isn’t the main focus.
Overall this is a great movie. I am not just saying that having watched it many, many times and can quote it from often. I think this movie is very of its time but still has a timeless quality. It still holds up because it is character driven and not mindless like many buddy cop movies tend to be like. You like Riggs and Murtaugh and you want them to get along and succeed in killing all the bad guys. The sequels did tend to go over the top in some cases but this first one establishes a lot about the two men who are opposites but can still work together and get the job done. And still manage to be friends during the course of it.